Photoshop Seminar April 29, 2017

A reminder that next Saturday, April 29th, 2017 is the Photoshop Seminar at the Hershey Public Library, in Hershey, PA. Doors open at 9:30. The seminar is three hours and will cover a number of Photoshop techniques for enhancing images including blend modes, selection techniques, and creating and modifying masks.

The library asks that you sign up and pay in advance. The fee is $45. Hope to see you there.

The abstract image above has been selected for inclusion in the online gallery of images by the Cultural Center of Cape Cod. It was selected from 711 entries from the US and Canada. I am delighted to be included.

Information on Photoshop techniques are always available on my Learning page at my website.

Much Ado

There are many things happening in April. Here are some reminders.

Saturday, April 1st, 2017 – Harrisburg Camera Club, Light and Creativity Workshop at Central Penn College in Enola. Information Here

Saturday, April 1st through 3rd – PPA of PA Convention at the Comfort Suites Hotel in Carlisle.Information Here

Doshi Exhibit at Susquehanna Art Museum – running currently and extended through  Sunday, May 21, 2017 with free “Third in the Burg” admission for the reception on Friday, April 21st from 6-9pm..

Sunday April 23, 2017 – Outdoor Lighting Workshop – Master Photographers Terry Blain and Bryson Leidich will offer tips on posing and off camera flash techniques at Terry’s studio in Carlisle, PA. Information is on my web page for the workshop.

Saturday, April 29th, 2017 – Photoshop Seminar – I will be teaching Photoshop image editing techniques at a workshop in the Hershey Library. Doors open at 9:30 a.m.

High Pass Sharpening

A common failing in many images is non-existent or badly done sharpening. I hope if you are working in digital imaging that you already know to avoid the three filters that actually start with the word “sharpen” in the filters list. Smart Sharpen and Unsharp Mask are much better choices. In addition is a technique not shown in the sharpening options, but using a filter that “passes” high frequency information. In real world terms that means “edges” to a photographer, and is the opposite of a “low pass” filter, which is Gaussian blur. This is a fairly simple and easy to use sharpening technique, especially for portraits.
The technique requires a blend mode be applied to the layer as well as the high pass filter itself. This is best done on a merged visible layer at the top of the layer stack saved as a psd. That makes it easy to remove and replace should the image need to be repurposed, resized, or otherwise manipulated. In a finished image it can be applied to a duplicate layer. The primary decision for all sharpening is output destination and size. The sharpening for a small web image will be insufficient for a high resolution file aimed at producing an 11×14 inch inkjet print. Conversely, the print sharpening will be far too aggressive for the web image.
A detailed explanation of this technique is in an article on my Learning Page.
A detailed explanation of this technique is in an article on my Learning Page.

The High Pass technique essentially finds edges and when coupled with a contrast blend mode like Overlay results in increased contrast at the edges giving the appearance of sharpening of the image. Smoother areas of the image are ignored which helps to make the process even more valuable. For example, High Pass sharpening of about 1 pixel on a portrait will sharpen the eyes and hair while ignoring the skin.

The effect can be reduced by using the Soft Light blend mode and/or reducing the opacity of the sharpening layer. Small images can use High Pass settings as low as .3 pixels, and some larger images can benefit from larger radius settings. Experimenting and analyzing the results is something the beginner needs to do to gain an understanding of how the process works.

Find the dialog under Filter | Other | High Pass and choose a setting appropriate for the image size. When you click OK the layer will turn gray with slight lighter and darker edges defining your subject edges. Change the layer blend mode to Overlay to start, and click the layer on and off to see the effect. This is best done with the image on screen at 50% or 100%. A 50% view more closely shows the result as it will appear on a print. Edges you would prefer remain unsharpened can be masked off if needed.

A full article explaining the technique with illustrations is on my Learning Page (see link at top). Check in there (refresh your page if needed to get the latest version).