WEBSITE UPDATED – NEW ARTICLES!
I have updated my website with all new articles in the Learning section. Most obvious is a replacement for the Lightroom overview pdf with a full set of eight articles. This is aimed at users of the Lightroom Classic desktop program. The Lightroom CC cloud based program has fewer features and uses cloud based image storage for remote access. I don’t address the functionality of the CC version. Other than that, the articles will apply to you regardless of the version you own.
Continue reading “Website Articles Update”
Happy 2020. When you open Photoshop the Standard Screen Mode view includes the equivalent to the “consolidate all to tabs” arrangement. If you have multiple images open you can see them as tabs just below the options bar. The icon at the very bottom of the tool bar as well as the “F” key on the keyboard allow you to cycle through three different screen modes. You can also choose screen modes from the View menu. The screen can be less than the full size of the monitor in this mode.
The second screen mode is Full Screen with Menu Bar, and is my favorite working space. Any open images in tabs other than the working image are hidden and the info at the bottom of the screen also disappears. The screen maximizes on the monitor and if the rulers are off, only the menu bar and the tool options appear above the image. This is a nice clean space to work in without distractions.
Continue reading “Photoshop Screen Views – Navigation”
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Upcoming seminar – basic to intermediate digital photography. Some from the first seminar have requested the conversation continue.
Understanding digital photography is a bit more complex than you might think. Among other things you may be in charge of your images in ways you never considered. Knowing how to use the camera settings and tools is a step in the right direction.
Primary among good digital capture is understanding the difference between raw and jpg capture. Do you know how the jpg style settings in your camera can influence how you expose a raw file? What does the histogram actually represent and how can you use it to get the best capture in terms of exposure? Continue reading “Digital Photography II – October 26th”
The Hershey Library program on Digital Photography and Processing Essentials is this coming Saturday, April 6th starting at 9:30 a.m. You can sign up at the library or simply come to the door.
Essentials includes setting up your camera for the best capture, setting up Lightroom and ACR for best processing, and more. Continue reading “Essentials – Photography and Processing”
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Two weeks remain for you to sign up for the April 6th program on “Digital Photography and Processing Essentials” at the Hershey Library. The program will start at 9:30 a.m. Please sign up at the library if you can, but you will be welcome at the door as well.
The program will take you through fundamental photography information such as camera settings and understanding how digital photography captures images. We will look at differences in shooting in raw vs jpg, Adobe vs sRGB color spaces, determining exposure, reading the histogram and other essential first steps to good captures. Continue reading “Digital Photography and Processing Essentials”
On Thursday evening February 28, 2019 I will present a program on Adobe Lightroom image processing with a follow up for processing in Photoshop or Elements. This program is free to the public.
The program will be held at the regular meeting of the Hershey Camera Club at Country Meadows Retirement Community, 451 Sand Hill Rd., Hershey, PA 17033 from 6:30 to 8:30 p.m.
Members have submitted raw files to me which I will use for examples and analysis of capture, raw processing options, and subsequent refinement in Photoshop or Elements. Lightroom has its strong points and its weak points and I will help you make a decision as to when to move on to a pixel based editor to refine your images. I will also be open to questions.
I will be offering a class at the Hershey Library on Saturday morning October 13th. Rather than the usual demonstrations of how I made a particular image or used a special technique, this will be a class where your images are the source material. Requirements for participation are that you bring at least three images on a jump drive, including brackets if available, and be willing to have your images used for demonstration. You will be given the final result as a psd on your drive so you can study what was done after the class.
Continue reading “Beyond Global – Refining YOUR Images”
Photography starts with seeing something interesting. Then we capture it with our cameras and either preserve it as a personal memory or share it with others. Anything is fair game when it is a personal memory. Sharing images can be casual, but more often than not it is to make an impression on others, either as an artistic statement, or possibly in a competition.
Digital capture is pretty straight forward and today’s cameras do a pretty good job of making a good image. Moving a good image to something better is where craft enters and the end game is your personal art.
Continue reading “Processing YOUR Images”
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“If you expose digital the way you expose film, you run twin dangers of failing to exploit the camera’s dynamic range, and creating exposures whose shadows are noisier than they need to be.” – Adobe Whitepaper – Raw Capture, Linear Gamma and Exposure – Bruce Fraser.
Film was engineered to respond pretty much in the same way as we see, which made perfect sense at the time. While twice the light made the image brighter, it did not make the image twice as bright.
Continue reading “Exposure for Digital Raw”
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Most photographers do not deal with exposure in a precise way. The camera’s built-in meter and auto exposure serve the purpose in many cases and the photographer is free to react to the scene. This is a positive thing in many circumstances as you need to react to the scene rather than fuss with the camera. Unfortunately, it can lead to less than optimal exposures a little fussing up front can lead to better captures and less post processing angst.
Continue reading “Exposure Relativity”