Starting in 2011 a New Zealand base photography magazine was published 11 times a year. That ended with issue 66 in 2017. Rather unfortunate as the magazine was well done and featured portfolios of excellent photographers.
Their site is still active at f11magazine and all 66 issues are archived. They are pdf files and can be downloaded for free. In addition to the photographs themselves there are a lot of articles on photography that are worth reading.
My suggestion is simple. Go get ’em. At some point they will simply cease to exist and a good resource will disappear forever.
Many good photography magazines appear on line every year, and most fail to get enough support to remain in existence for long. Such is the plus and minus of the internet. One place to search for photo magazines and portfolios is Issue, which allows self publishing as well as being an outlet for publishers. There you can search for any subject matter and find free resources.
On Thursday evening February 28, 2019 I will present a program on Adobe Lightroom image processing with a follow up for processing in Photoshop or Elements. This program is free to the public.
The program will be held at the regular meeting of the Hershey Camera Club at Country Meadows Retirement Community, 451 Sand Hill Rd., Hershey, PA 17033 from 6:30 to 8:30 p.m.
Members have submitted raw files to me which I will use for examples and analysis of capture, raw processing options, and subsequent refinement in Photoshop or Elements. Lightroom has its strong points and its weak points and I will help you make a decision as to when to move on to a pixel based editor to refine your images. I will also be open to questions.
An exhibit featuring the work of Dorothea Lange and 13 other artists will be on display at the Suzanne H. Arnold Art Gallery at Lebanon Valley College from January 25 to March 24. 2019. Lange and other photographers documented the great depression for the Farm Security Administration and established documentary and journalistic photography as an art form.
Lange’s photograph of a migrant mother has come to represent the project. It was part of a series she shot of the mother and her family in 1936.
Gallery and exhibit Information and hours can be found here.
LVC will also host a photography workshop: “Black and White Portraits: Capturing the Human Presence” by Andrew Bale. The workshop will be held in Lynch Memorial Hall, Room 185, February 16, 2019, from 9 a.m. To 3 p.m. Andy’s work is exceptional and he is also an expert printer. He has worked with the National Geographic Legacy Fund in documenting the Ese’Eja Cultural Mapping project in south-eastern Peru, and is represented in several permanent collections.
Imagine for a moment that you know everything there is to know about processing a raw file. No?
Which exposure in a bracketed series is the best?
Which slider should you move first?
When should you set the white balance?
What are black points and white points?
How do you best control contrast?
Can lens distortion be controlled automatically?
Why am I shooting raw in the first place?
Most seminars are valuable because you are exposed to processing steps you are not very familiar with. But you soon forget what you saw, mostly because you watched someone process an image nothing like what you normally capture. What if you could watch someone process your images, and learn something of real value?
Continue reading “Getting the most from YOUR raw files!”
I will be offering a class at the Hershey Library on Saturday morning October 13th. Rather than the usual demonstrations of how I made a particular image or used a special technique, this will be a class where your images are the source material. Requirements for participation are that you bring at least three images on a jump drive, including brackets if available, and be willing to have your images used for demonstration. You will be given the final result as a psd on your drive so you can study what was done after the class.
Continue reading “Beyond Global – Refining YOUR Images”
Photography starts with seeing something interesting. Then we capture it with our cameras and either preserve it as a personal memory or share it with others. Anything is fair game when it is a personal memory. Sharing images can be casual, but more often than not it is to make an impression on others, either as an artistic statement, or possibly in a competition.
Digital capture is pretty straight forward and today’s cameras do a pretty good job of making a good image. Moving a good image to something better is where craft enters and the end game is your personal art.
Continue reading “Processing YOUR Images”
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“If you expose digital the way you expose film, you run twin dangers of failing to exploit the camera’s dynamic range, and creating exposures whose shadows are noisier than they need to be.” – Adobe Whitepaper – Raw Capture, Linear Gamma and Exposure – Bruce Fraser.
Film was engineered to respond pretty much in the same way as we see, which made perfect sense at the time. While twice the light made the image brighter, it did not make the image twice as bright.
Continue reading “Exposure for Digital Raw”