The Hershey Library program on Digital Photography and Processing Essentials is this coming Saturday, April 6th starting at 9:30 a.m. You can sign up at the library or simply come to the door.
Essentials includes setting up your camera for the best capture, setting up Lightroom and ACR for best processing, and more. Continue reading “Essentials – Photography and Processing”
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Two weeks remain for you to sign up for the April 6th program on “Digital Photography and Processing Essentials” at the Hershey Library. The program will start at 9:30 a.m. Please sign up at the library if you can, but you will be welcome at the door as well.
The program will take you through fundamental photography information such as camera settings and understanding how digital photography captures images. We will look at differences in shooting in raw vs jpg, Adobe vs sRGB color spaces, determining exposure, reading the histogram and other essential first steps to good captures. Continue reading “Digital Photography and Processing Essentials”
On Thursday evening February 28, 2019 I will present a program on Adobe Lightroom image processing with a follow up for processing in Photoshop or Elements. This program is free to the public.
The program will be held at the regular meeting of the Hershey Camera Club at Country Meadows Retirement Community, 451 Sand Hill Rd., Hershey, PA 17033 from 6:30 to 8:30 p.m.
Members have submitted raw files to me which I will use for examples and analysis of capture, raw processing options, and subsequent refinement in Photoshop or Elements. Lightroom has its strong points and its weak points and I will help you make a decision as to when to move on to a pixel based editor to refine your images. I will also be open to questions.
Imagine for a moment that you know everything there is to know about processing a raw file. No?
Which exposure in a bracketed series is the best?
Which slider should you move first?
When should you set the white balance?
What are black points and white points?
How do you best control contrast?
Can lens distortion be controlled automatically?
Why am I shooting raw in the first place?
Most seminars are valuable because you are exposed to processing steps you are not very familiar with. But you soon forget what you saw, mostly because you watched someone process an image nothing like what you normally capture. What if you could watch someone process your images, and learn something of real value?
Continue reading “Getting the most from YOUR raw files!”
I will be offering a class at the Hershey Library on Saturday morning October 13th. Rather than the usual demonstrations of how I made a particular image or used a special technique, this will be a class where your images are the source material. Requirements for participation are that you bring at least three images on a jump drive, including brackets if available, and be willing to have your images used for demonstration. You will be given the final result as a psd on your drive so you can study what was done after the class.
Continue reading “Beyond Global – Refining YOUR Images”
Photography starts with seeing something interesting. Then we capture it with our cameras and either preserve it as a personal memory or share it with others. Anything is fair game when it is a personal memory. Sharing images can be casual, but more often than not it is to make an impression on others, either as an artistic statement, or possibly in a competition.
Digital capture is pretty straight forward and today’s cameras do a pretty good job of making a good image. Moving a good image to something better is where craft enters and the end game is your personal art.
Continue reading “Processing YOUR Images”
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“If you expose digital the way you expose film, you run twin dangers of failing to exploit the camera’s dynamic range, and creating exposures whose shadows are noisier than they need to be.” – Adobe Whitepaper – Raw Capture, Linear Gamma and Exposure – Bruce Fraser.
Film was engineered to respond pretty much in the same way as we see, which made perfect sense at the time. While twice the light made the image brighter, it did not make the image twice as bright.
Continue reading “Exposure for Digital Raw”